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Interview: Wu-Tang Clan’s Masta Killa Talks On The Loyalty Is Royalty,RZA & More

 

Masta Killa was the last of the original nine, which was recorded in the Wu-Tang, and the last clansman who dropped a solo album. Since then, he has also seen long distances between his projects. It may have lasted seven years for his new album Loyalty Is Royalty, to finally see the light of the day, but we have faith that the music is worth the wait. What Masta Killa of Childish Gambino thinks? and much more you can read below.

 

If I’m not mistaken, you announced Loyalty Is Royalty back in 2010. It’s been a long time coming but it seems like it’s gonna be a masterpiece. What took so long?

Sometimes you can’t rush perfection, brother. I’m my own worst critic, man. So, sometimes when I have something in the oven, it’s hard for me to let it go. I’m always re-sampling and taking another taste to make sure the dish is actually what it is supposed to be. We here now, Loyalty Is Royalty…it’s been a long time coming.

A lot of crews from the ’90s have fallen off, but Wu continues on strong. All of you do your own thing and also form Voltron on occasion too. How have y’all maintained through all the ups and downs?

As far as everybody forming that “W,” that takes dedication from each member. Mainly, it has to start from everyone wanting to do it. It can’t start from any other energy. As far as lyrical combat, as far as keeping that sword sharp, when you love the sport of MCing and the culture of it, where it comes from, and you think about all the greats that have ever touched that microphone, you always want to try to uphold that bar that inspired you at one time to do it. So, any time that I am going to say anything, or write a thought down, or record anything, I’m always doing it with the mind frame that anyone that ever inspired me could be listening, I want to make them proud that I’m a student of all of that. So, I don’t want to fall short of anything that once inspired me.

That connects to the single “OGs Told Me.” Lots of the younger generation are on some real “fuck those that came before us” shit. Speak on the meaning of the song.

For me, it’s always about supplying what’s missing. It’s about filling the void. I could bounce right into the wave of what’s moving right now. But to be unique and to go in and touch the lost art of what it really is, even to give a lesson on things that’s forgotten… How could you not pay homage to those that came before you? That’s like not paying homage to your parents. When it comes to the art form of certain things, it’s impossible for me to say that I’m the greatest MC if I never heard anyone that came before me. I could never say that because there is so many great ones that I have taken a page from their book. That record is just a dedication to let people know that I haven’t forgotten and I’m always appreciative of the lessons [from those] that came before me.

 

And the other guest on there, Moe Roc, is very closely associated with the Wu.

Most definitely. Moe Roc is definitely a dedicated solider for the Wu movement… for the hip hop movement. How the whole collaboration came together has to be credited to my brother Power. He actually put the whole song together. Shout outs to my man Dame Grease, [who] supplied the production on that.

 

Wu are known for your multiple aliases. From the kung-fu flick names, to the Gambinos, to the 5% titles. On this new album you got songs called “Noodles Pt. 1” and “Noodles Pt. 2.” Talk about bringing that alias back?

Those aliases are different chambers, different worlds. We all know the legendary classic Cuban Linx album where we all became the Gambinos. There is different mind frames you’re in when you are bringing this art to life. So, as far as “Noodles Pt. 1” and “Pt. 2,” it’s just a different chamber… but a classic one. I think Cuban Linx sparked a whole different wave of music. Sometimes you revisit those creative moments that gave people that view from a different angle. They never forgot that era, so to tap back into that, it’s undeniable.

 

 

Is there still unreleased Dirty material?

I’m pretty sure RZA has stuff on Ol’ Dirty that we’ve never heard. I remember I was in the studio with Busta Rhymes and he played me a monster joint with him and ODB. And that’s not even in my camp.

Let’s talk about Shkreli and Once Upon A Time In Shaolin for a second. Now, this MFer is selling this million dollar album on eBay. Do y’all have a unified stance about the situation?

Well, brother, I’ll be honest with you, this is the only project that I have ever been part of that I haven’t heard the project. I’ve never even heard what I’ve done on the project. And I know I have at least four verses. This project wasn’t presented to me as being a Once Upon A Time In Shaolin Wu-Tang Clan album. I got a call from a brother named Cilvarings and he told me he was making a mixtape and he needed a couple verses from me. Sure—no problem. So, I gave him a couple verses for his mixtape. Next thing I know, this turned out to be the Once Upon A Time In Shaolin Wu-Tang Clan secret album and it’s being sold as an art piece. I never had a problem going that route, but I didn’t know I was going to be involved in making a Wu-Tang Clan album, nor was I informed how it was going to be marketed or anything. Like I said, I still haven’t heard it. I have to be more careful giving out my verses to people because then they can come back and say, this is a Wu-Tang Clan album.

Seems like people really like to co-opt the Wu name.

That’s the strangest thing. It’s weird, if people can be amongst you, maybe hang out with you at the studio, or maybe even do a song with one of your brothers, then sometimes from that experience they think they’re part of the Clan. It’s crazy, man.

Many of Wu members have kids that rap now. There’s Ghost’s seed Sun God, ODB’s son Young Dirty Bastard, GZA’s son Young Justice, and U-God’s son iNTell, that I know of. Must be crazy to know these kids since they were babies and now they’re following in their fathers’ footsteps.

I love that. It’s like seeing yourself all over again. That’s the next generation that’s doing it. I want to do a song with all my nephews and my son, of course.

 

There’s a new Wu single and it has Redman on it. He’s also on Loyalty Is Royalty. In fact, he’s so associated with Wu, I feel like he is almost an honorary member.

I love Redman; that’s my brother. Out of the industry, when it comes to people who have worked with us that closely, that I would definitely consider family: Redman, Busta Rhymes, Nas, and also Snoop.

If you had to tell someone to check one verse on the album that represents where you are at right now, which would it be?

Interestingly, that verse didn’t even make the album. I was doing a song called “Flex With Me,” that’s actually my next single that I’m going to release, and I had two verses. The first verse I wrote was a great verse but I had to kinda change the verse because I had to make it mesh more with the song. So, if I had any verse that I wanted the world to hear, it’s actually the verse I took off the album. And the verse went:

“I be Allah in the person of Jamel Irief / I wanna spark a brain and shake up the world like Ali /I’m geniusly the greatest of all time / from one rhyme and one mic / I’m blessed to make the people unite / for one common cause / build homes in every ghetto with Persian carpet floors / touch every shore / heal every sore / perform world tours / bringing food, feeding the poor / in El Salvador / D.R. and Puerto Rico / let’s stop the raping of our women in the Congo / let’s stop the killing of our brothers in Chicago”

Sometimes, brother, a lot of things that I’ve written haven’t even made it to record yet. [Laughs] That’s just how creativity is. That’s how art is, I guess.

Masta Killa’s Top 5 Martial Arts Flicks

1. 5 Deadly Venoms

2. 8 Diagram Pole Fighter

3. Crippled Avengers

4. Chinese Super Ninjas

5. Executioners From Shaolin

 

 

The Full Interview off Masta Killa found you on MassAppeal

 

 



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In 2015, the compilation project The Meth Lab hit the streets, touted as a Method Man album, though much to the chagrin of fans, the Wu-Tang Clan legend was only thinly present. “People were upset,” Method Man recalls. “Every song on there had somebody else on it with the exception of one song that I did by myself.” Meth’s referring to the smooth “2 Minutes of Your Time,” though this time around he’s clocking in at a much longer stretch.

Meth Lab II: The Lithium is on its way, and with it comes the new single “Grand Prix,” premiering here on Billboard today (Aug. 9). The track is a return to Method Man’s true form: dark undercurrents mixed with sharp wordplay and seamless delivery. It’s that skill-set that has kept Method Man a continuous torchbearer for real rap, and his most obvious attribute. “I can rhyme my ass off, that ain’t nothin’ new,” he says with a laugh. “People already knew that, but they just tend to forget. Every now and then you’ve gotta remind them.”

The sequel project also brings the return collab of Method Man with music executive upstart Anthony “Hanz On” Messado of Hanz On Music. The two met years ago, as Messado was a Wu-Tang affiliate even as a teenager. When he forged plans for his own label and wanted to work with Method Man, Meth was skeptical at first. “But the more the music came through, the more I liked it and got more involved,” he expresses. A cosign from fellow Wu family member Streetlife made the mission complete, and now a part two is already in the pipeline.

 

The concept of the Meth Lab in general is a haven for burgeoning talent. “It’s basically our little movement out on Staten Island that gives us a chance to give a lot of these dudes a platform to display themselves and their music and show the mechanics that go into a project,” Hanz On explains. The studio’s name came about when the owners of Trackstar Studio joined forces with Meth and Hanz to form the collaborative Meth Lab, timed with the first installment’s release, as that’s where the project was recorded. This time around, there’s a much greater presence from Method Man, enlisting other big names like Snoop Dogg and producer Dame Grease.

For Meth, it’s a renewed sense of spirit in the sport of rap. “It made it fun for me again,” he says. And with a mighty healthy film/TV career, it offers him the opportunity to align with an indie brand and watch it grow. “I should have done this a long time ago,” he admits, “but everything comes in its due time and this wasn’t my idea. It was Hanz’s project. It’s still Hanz’s project. I do music because I want to now; not because I have to.”

This won’t be the end of The Meth Lab either. Future projects will be laid out like episodes and even offer the brand to venture into comedy. It’s a testament to Method Man’s undeniable consistency, but also his willingness to pivot, and with Hanz On in the mix as well, the result is classic material with a new energy. “I want it to feel like it’s a TV show,” Method Man says. “Either a bad one, or a good one, or a polarizing one. As long as it’s a show.”

 

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