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Exclusive: ‘Shaft’ Reboot Adds Cliff “Method Man” Smith

Shaft, New Line Cinema’s reboot of the 1970s blaxploitation action movie, has added Cliff “Method Man” Smith to its cast.Samuel L. Jackson is reprising the role he first played in the 2000 film update directed by John Singleton, while Jessie T. Usher has been cast to play Shaft’s son, who, after long being estranged from his father, finds himself teamed up with his dad. Regina Hall, Alexandra Shipp and Richard Roundtree also star.

Smith will play an old friend of John Shaft’s (Jackson) from the neighborhood.

Tim Story is helming the pic from a script by Kenya Barris and Alex Barnow. John Davis and Barris are producing, while Marc Fischer and Ira Napoliello are executive producing.

The new film is slated for release on June 14, 2019.

The first Shaft movie hit theaters in 1971 and starred Richard Roundtree as the private detective who is hired to rescue a Harlem mobster’s kidnapped daughter. The film was a box-office hit for MGM, earning $13 million, and the theme won the Oscar for best original song. The film was added to the United States National Film Registry by the Library of Congress in 2000.

There were two follow-ups, Shaft’s Big Score (1972) and Shaft in Africa (1973), along with the 2000 sequel, also called Shaft, which starred Jackson as the nephew of the original John Shaft.

Smith, who is also known for his music career along with his acting work, was recently seen in David Simon and George Pelicano’s HBO series The Deuce and hosts the TBS comic rap battle competition series Drop the Mic. He is repped by CAA, manager Shauna Garr and attorney Amy Nickin of Frankfurt Kurnit.

 

Source:Hollywoodreporter



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In 2015, the compilation project The Meth Lab hit the streets, touted as a Method Man album, though much to the chagrin of fans, the Wu-Tang Clan legend was only thinly present. “People were upset,” Method Man recalls. “Every song on there had somebody else on it with the exception of one song that I did by myself.” Meth’s referring to the smooth “2 Minutes of Your Time,” though this time around he’s clocking in at a much longer stretch.

Meth Lab II: The Lithium is on its way, and with it comes the new single “Grand Prix,” premiering here on Billboard today (Aug. 9). The track is a return to Method Man’s true form: dark undercurrents mixed with sharp wordplay and seamless delivery. It’s that skill-set that has kept Method Man a continuous torchbearer for real rap, and his most obvious attribute. “I can rhyme my ass off, that ain’t nothin’ new,” he says with a laugh. “People already knew that, but they just tend to forget. Every now and then you’ve gotta remind them.”

The sequel project also brings the return collab of Method Man with music executive upstart Anthony “Hanz On” Messado of Hanz On Music. The two met years ago, as Messado was a Wu-Tang affiliate even as a teenager. When he forged plans for his own label and wanted to work with Method Man, Meth was skeptical at first. “But the more the music came through, the more I liked it and got more involved,” he expresses. A cosign from fellow Wu family member Streetlife made the mission complete, and now a part two is already in the pipeline.

 

The concept of the Meth Lab in general is a haven for burgeoning talent. “It’s basically our little movement out on Staten Island that gives us a chance to give a lot of these dudes a platform to display themselves and their music and show the mechanics that go into a project,” Hanz On explains. The studio’s name came about when the owners of Trackstar Studio joined forces with Meth and Hanz to form the collaborative Meth Lab, timed with the first installment’s release, as that’s where the project was recorded. This time around, there’s a much greater presence from Method Man, enlisting other big names like Snoop Dogg and producer Dame Grease.

For Meth, it’s a renewed sense of spirit in the sport of rap. “It made it fun for me again,” he says. And with a mighty healthy film/TV career, it offers him the opportunity to align with an indie brand and watch it grow. “I should have done this a long time ago,” he admits, “but everything comes in its due time and this wasn’t my idea. It was Hanz’s project. It’s still Hanz’s project. I do music because I want to now; not because I have to.”

This won’t be the end of The Meth Lab either. Future projects will be laid out like episodes and even offer the brand to venture into comedy. It’s a testament to Method Man’s undeniable consistency, but also his willingness to pivot, and with Hanz On in the mix as well, the result is classic material with a new energy. “I want it to feel like it’s a TV show,” Method Man says. “Either a bad one, or a good one, or a polarizing one. As long as it’s a show.”

 

Souce:Billboard

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